The Canadian showing of the Yayoi Kusama: Infinity Mirrors exhibition will be held at the AGO starting this month. Explore the evolution of the celebrated Japanese artist’s immersive infinity rooms, and the most significant North American tour of her work in nearly two decades.
Yayoi Kusama: Infinity Mirrors provides visitors with the unique opportunity to experience six of Kusama’s most iconic kaleidoscopic environments at once, alongside large-scale, whimsical installations and key paintings, sculptures and works on paper from the early 1950s to the present. It also marks the North American debut of numerous new works by the 87-year-old artist, who is still actively creating in her Tokyo studio. These include large-scale, vibrantly coloured paintings and the recently realized infinity room, All the Eternal Love I Have for Pumpkins (2016), featuring dozens of her signature bright yellow, dotted pumpkins.
About the exhibition
Organized in rough chronological order, Yayoi Kusama: Infinity Mirrors begins with the artist’s milestone installation Infinity Mirror Room—Phalli’s Field (1965/2016), a dense and dizzying field of hundreds of red-spotted phallic tubers in a room lined with mirrors.
The exhibition will also include Infinity Mirror Room—Love Forever (1966/1995), a hexagonal chamber into which viewers will be able to peer from the outside, seeing coloured flashing lights that reflect endlessly from ceiling to floor. The work is a recreation of Kusama’s legendary 1966 mirror room Kusama’s Peep Show (no longer extant), in which the artist used to stage group performances in her studio in the late 1960s.
Kusama’s signature bold polka dots will be featured in Dots Obsession—Love Transformed into Dots (2009), a domed mirror room surrounded by inflatables suspended from the ceiling. More recent spectacular LED environments, filled with lanterns or crystalline balls that seem to extend into infinite space, will be represented by Aftermath of Obliteration of Eternity (2009) and Souls of Millions of Light Years Away (2013).
A selection of more than 60 paintings, sculptures, works on paper and more will also be on view, showing case many of Kusama’s lesser-known collages, made after her return to Japan in 1973. These works trace the artist’s trajectory from her early surrealist works on paper, Infinity Net paintings and Accumulation assemblages to recent paintings and soft sculptures, highlighting recurring themes of nature and fantasy, utopia and dystopia, unity and isolation, obsession and detachment, and life and death.